Skepta on Failure, Education, and Liberation in Fashion

Examine the resurgence of his apparel firm Mains, the correlations between music and fashion, and how the acceptance of failure has been pivotal to his creative odyssey.

Background

The esteemed grime MC and rapper Skepta understands that sudden success is a myth. Following the rapper's establishment of his fashion business, Mains, in 2017, operations were suspended due to a separation from his manufacturer, until reemerging at London Fashion Week last year. He contends that progress necessitates time and perseverance.

“As with any endeavor, the most effective method of learning is through practice and failure,” he stated. “I understand that it is not a brief journey … Participation is necessary for victory. It may require a single pair of shoes. It may require a cap or a bag. “Without persistent effort and the acceptance of failure, you will not achieve your goals.”

Principal Observations

1. Skepta's affinity for fashion was ignited by his enthusiasm for underground music and the aesthetics observed at garage concerts. “I am being denied entry to clubs … As I am being denied entry, I observe individuals in the queue adorned in Versace, Moschino, and Patrick Cox loafers,” he states. The interplay between clothing and music influenced his aesthetic preferences. “That was the moment I truly fell in love with fashion.” The desire to don the attire while simultaneously enjoying the music associated with that apparel.

   
   

2. Skepta's experience as a discerning fashion consumer, with a strong appreciation for garment structure and intricacies, prompted him to establish his own brand. “After years of experience in purchasing garments and examining stitching, interior linings, and panels, I felt sufficiently qualified to provide tailoring expertise, complemented by a genuine passion and artistry that cannot be acquired through formal education.” Collaborating with an exceptional designer, Mikey Pearce, and his team felt akin to divine intervention, compelling me to take action.

   
   

3. Skepta's creative process is cyclical. “With music, modifications can be made post-release, whereas clothing cannot be altered once it is available; therefore, I continuously make changes until the release.” "I am perpetually adapting and discerning," he states. I disapprove of imposing limitations on thought. One should consistently possess the ability to adapt and transform.

   
   

4. “I am performing one show annually.” Spring, summer, or winter collectively. The boys and girls in my show are all attired in identical clothing. This artistic liberty enables Skepta to thoroughly relish the process, since he believes it is essential not to approach fashion with excessive seriousness. “It ought to be enjoyable.” Many individuals enter the fashion industry and conform to established norms, subsequently experiencing dissatisfaction in pursuing their passion. That is astonishing to me.